Publishing the late-life works of Oregon author Ardyth Kennelly
Ann Chamberlin, Historical Novel Society review
Copyright 2014-26 Sunnycroft Books. All rights reserved.
Page last revised June 2, 2026
Seven decades after Ardyth Kennelly delighted readers with her best-selling books of the 1950s, Sunnycroft Books is pleased to be publishing the works that she wrote later in her life.
Variation West (2014) is a sweeping novel that covers not only a century of Western life and history, but also the vast territory of the human heart. It's an immense literary collage, with dozens of engaging characters and a wealth of both comic and tragic stories to tell. We see not only the humor and heartaches of domestic life under Mormon polygamy, but also the sacrifices—including death and disfigurement—that women make in trying to fulfill society's expectations of female beauty; the unspeakable violence that men do; and how patterns laid down in the distant past resurface again and again.
Bodies Adjacent: Ardyth's Memoir & Egon's Journal (2023) is Ardyth Kennelly's story of her life with her husband, the Jewish Viennese physician Egon V. Ullman. In the middle of her memoir, Ardyth places the journal that Egon kept from 1947 to 1956, during the years that Ardyth was writing and publishing her books. Bodies Adjacent is a captivating and singular love story—painfully honest, yet utterly enchanting and sweet.
New York on $5 a Day (2024) is a brief but charming memoir of Ardyth Kennelly's 1963–64 sojourn in New York City. It’s a chatty and engaging reminiscence about the unusual people she met in New York—including the English witch Sybil Leek, the minor poet Sanders Russell, the Spanish Civil War veteran Robert Raven, the dancer Raymond Duncan, and the writer Anzia Yezierska. Ardyth also writes thoughtfully and vividly about the world of New York as she herself—a well-read but not terribly worldly woman from the West—experienced it.
Millionaire Housekeeping (2026), a mid-career novel written probably around 1970, deftly satirizes the habits and preoccupations of the ultra-rich—while also illustrating how the old ideas about propriety and art were swept away in the countercultural 1960s. Under the guise of writing a handbook for the “elegant conduct” of a “millionaire philanthropist’s” household, a superintending housekeeper in one such New York City establishment recounts her thirty-year rise to that exalted position. Fans of “Downton Abbey” or similar shows will see much that is familiar here.
For more about Ardyth Kennelly's life and work, please click here.